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As you’d expect from the 5.1 mixing maestro, the blu-ray and DVD offer 5.1 surround mixes of the concert (those who attended these shows experienced a ‘4D sound’ performance). Tour, and who has managed the unenviable challenge of following Wilson's first touring drummer, Marco Minnemann. A massively virtuosic drummer with a distinctive approach, that Wilson was able to find another drummer who could be described the same way while, at the same time, possessed of his own musical personality and ability to embrace the existing chemistry was another feat in itself.
Hutchings' instrumental mastery, balanced with a keen appreciation for when—and, most importantly, when not—to use it is what makes him, perhaps, the most suitable guitarist in a fairly long line of six-stringers who've held the chair in Wilson's touring band since 2011. Every guitarist has been exceptional in his own way, but Hutchings seems to be the best foil yet for Holzman, another musician whose command of tone and texture is as impressive as his virtuosity and, always, astute yet spontaneous judgement when building a solo, as he also does on "Detonation" but even more so on "Home Invasion / Regret #9." And new-kid-on-the-block guitarist/background vocalist, Alex Hutchings.
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Listening to the music without singing really highlights the musicianship, talent and amazing progressions found in each song. Based on the direction of his music, which brought together influences from a multitude of musical styles that was, in itself, a rare thing, Wilson found an unexpected nexus of fans. Hardcore progressive rock fans loved his often-times complex compositions, filled with breathtaking solo space rendered all the more impressive by his occasionally shifting lineup of virtuosic supporting musicians. But Wilson was also drawing in an increasing number of fans attracted to his unequivocally lyrical disposition, not to mention those captivated by the metal elements brought to bear on his solo records, and which he first explored in greater depth across Porcupine Tree's new millennium releases. Wilson even released a compilation, Transience , intended as an introduction to his music via his more readily approachable music, including a new version of the pop-friendly "Lazarus," first heard on Porcupine Tree's Deadwing . Forty years ago, tours were almost always in support of a new album, as the greater percentage of an artist's income was driven by album sales, with tours often actually losing money, even if they attracted large crowds.
This album is filled with amazing Mellotron sounds, but not as I initially anticipated. Instead of the 70s Crimson/Genesis sounds, Wilson’s playing takes on a more modern edge when considering the music style of the songs. Wilson’s voice is the best I’ve heard him sing to date and the guitar leads are more melodic with less overall distortion when compared to something like The Raven That Refused To Sing. There’s also very little wind instruments on this release, perhaps to emphasize his new Mellotron. Erase.” is well worth the investment for several reasons. Then add to that the fact that each track includes pictures and artwork that take you through the concept behind the title which is about the journey of this woman’s life between 2008 and 2015.
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Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods. This release is being issued across an number of formats, namely blu-ray+2CD, DVD+2CD and standalone blu-ray and DVD.
After spending over twenty years as the driving force behind Porcupine Tree, he made the seemingly risky move of going solo with 2009's Insurgentes . In some ways it was an odd move, given that Porcupine Tree ostensibly began as a solo project, with Wilson collaborating, in only its very earliest years with Malcolm Stocks, and Porcupine Tree only becoming a full-fledged group when album sales demanded he put a band together to take his music on the road. The program is heightened by guitarist Alex Hutching's climactic soloing sprees, awash with upper-register extended notes and flickering single note leads, and drummer Craig Blundell's polyrhythmic time-keeping in addition to his snappy backbeats. With that, the musicians display a little flash, balanced with hummable melodic content and sterling musicianship, tantalizing hooks, tricky time signatures and straight-four burners. Instead, while absolutely managing to achieve both these things, the film does so much more. It employs motivic invention, such as capturing a particularly concentrated close-up of Wilson's face, only to then cut to similar perspectives of his band mates, or using camera angles to explore unusual perspectives.
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The similarly expansive, dark-hued "Ancestral," on the other hand, demonstrates how a song that seems like it could only work in the context of its position on Wilson's concept album can actually work extraordinarily well as a stand-alone song, again featuring some particularly inspired soloing from Hutchings. Many artists who left popular groups found, despite any cachet built with their former band , that only a surprisingly paltry percentage of their former fans were willing to go along with them into their solo endeavors. By the time Wilson hit the road in 2011 for the first time under his own name, in support of his second solo album—the even more ambitious Grace for Drowning —the number of Porcupine Tree fans who'd gone along him was already much greater than any stats could have predicted.
The sound quality is amongst the best multi-channel music mixes I’ve heard. The songs are deep and with meaning and show a maturity of Wilson as a solo artist as they are more expansive and diverse than his previous amazing work. There is an element to each song that will appease many musical tastes including pop, metal, rock and progressive. It’s a concept album that is worth listening to in its entirety and following along with the images on the Blu-ray. What I find most interesting about the Blu-ray version is that there is an instrumental version of every song.
Steven Wilson
And if his audience has been growing, he has also been bucking another trend that's largely become a disturbing new norm. Even artists who regularly play to hundreds of thousands of fans over the course of a year now struggle to sell tens of thousands of albums , despite having achieved sales in the hundreds of thousands—millions, even—in decades past. But just as Wilson's audience has grown in size, so, too, have his sales. All too often, an album achieves its biggest numbers in the first couple of weeks after release, only to find sales falling off a cliff after that. Not only do Wilson's new releases continue to sell long after they should be slowing down, but his back catalog continues to do well also, continuing to move surprising numbers. In a career now early in its fourth decade, singer/songwriter/multi-instrumentalist Steven Wilson has bucked almost every trend in the new millennium music industry.
Here, the ensemble links a memorable theme with lament and vibrancy. Otherwise, Holzman's meaty Moog solo mimics a human dialogue as Hutchings scorching sustain lines add some bite and impact. Sign up for our newsletter for special updates and alerts direct to your inbox. This concert recording captures the last show of the three-night run in the historic London venue from March this year, as Steven Wilson was coming to the end of his European To The Bone tour. Wilson, in collaboration with director James Russell and film editor Tom Woolcott, has achieved something far greater, something far more cinematic.
And if the stage lighting is as impressive as it's even been—more, truly—Wilson is now bringing the audience into the center of the performance by not just lighting up the stage but, at times, the entire hall; again, no mean feat for a room the size of Albert Hall. Recorded in stunning high definition video and audio, Home Invasion differs from his recent Montréal show in that it includes To the Bone almost in its entirety, with all but the album's title track represented. It ultimately makes sense, however, given how many tracks from Insurgentes, Grace for Drowning and The Raven have already been documented in live video/audio formats, on both the full-length Get All You Deserve and EP-style mix of live tracks, edits and alternate versions, Drive Home . Our weekly newsletter highlights our top stories and includes a local jazz events calendar. Our weekly newsletter highlights our top stories and includes your local jazz events calendar.
Over the course of the next four years and two studio albums—2013's The Raven That Refused To Sing and 2015's concept album, Hand. —Wilson continued to grow his audience, attracting not just those who'd been following his career for years, but entirely new demographics as well. All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month. The title track "Home Invasion" is formulated with a dynamic, in-your-face groove, as the audience claps along, firmed up by Blundell's thumping bass drum pulses and Holzman's steely electric piano chords.
With so many artists flooding the market with concert videos these days, it's a given that there are plenty of opportunities to see the band in action throughout Home Invasion. But given Wilson's love of film and image, it should come as no surprise that Home Invasion is more than "just" a document of a particularly strong performance. Together, as a quintet, this may be Wilson's best, most empathic and compelling group yet, made all the more so now that, with Hutchings also singing background vocals alongside Beggs, he's got more voices to work with onstage.
Proudly featuring classic rock icons like The Beatles, Rolling Stones, Led Zeppelin, Emerson, Lake & Palmer, Pink Floyd, Deep Purple, The Grateful Dead, The Who, The Eagles, Fleetwood Mac, Jethro Tull, Jimi Hendrix and Crosby, Stills, Nash & Young. Home Invasion captures the final night of my three night March 2018 residency at what is probably my favourite venue in the world, the Royal Albert Hall in London. The full performance is included, and it looks and sounds absolutely fantastic, everyone involved working incredibly hard to make this a really high quality release in all departments, and to capture the visual elements of the show . Bonus material consists of 3 additional songs not part of the main show filmed in the empty venue during the afternoon soundcheck, as well as interview / backstage footage. Delivery time is estimated using our proprietary method which is based on the buyer's proximity to the item location, the shipping service selected, the seller's shipping history, and other factors.
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